Not the only guy in whiteface |
Perhaps those of us worried about the conquest of pop culture by so dark a worldview should be encouraged when an intriguing anarcho-nihilist premise like that of The Purge: Anarchy (and its 2013 predecessor, The Purge) is bungled so spectacularly. Instead of pushing the mainstream another inch closer to A Clockwork Orange, writer-director James DeMonaco stumbles backward into a more benign era of ham-handed B-movie liberalism.